Stephen Boyd and Joan Collins

Stephen first met Joan Collins in late 1956 when he filmed the Darryl F. Zanuck production of the somewhat controversial racial drama “The Island in the Sun” in the Barbados. Joan Collins doesn’t mention any specific love affair with Boyd in her auto-biographies, but clearly the two became good friends during the filming of the movie. “Where this leaves Arthur Lowe Jr., I wouldn’t be knowing, but Joan Collins and newcomer Stephen Boyd are doing the Boyd-meets-girl bit as though it came naturally on location in the British West Indies.” Shamokin News Dispatch, Pennsylvania Nov 30, 1956

Michael Rennie, Joan Collins, Stephen Boyd and John Justin in 1956 during the filming of ‘The Island in the Sun.’

In August of 2016, Joan Collins tweeted the photo above.

Joan Collins was always game, and during film assignments she projected the appearance of ‘just one of the boys’ –like playing cards and chatting with her male co-stars. She also defended herself over the years from unwanted paramours which included producer Darryl Zanuck and renowned woman chaser Richard Burton.
A little more than a year later, Boyd and Collins were reunited during the “Bravados”. There is one comment in a newspaper that their apparent ‘hot’ relationship from “Island in the Sun” had turned ice-cold at this point. “Joan Collins and Irish color Stephen Boyd, who were a red-hot love match last year during the West Indies filming of “Island in the Sun” are colder than an Eskimo’s icebox on the Mexican location of “Bravados.” Joan receives daily letters from Nicky Hilton and Arthur Loew Jr. and she and actor Henry Silva have become mucho simpatico during this hegira south of the border.”  (Indianapolis Star, Mar 7, 1958).

A month later, however, in another interview, Boyd seems to be amiably teasing Collins.

Logansport Pharos Tribune, Indiana April 1, 1958

Joan Collins has taken over the title of Cinema City’s number one bachelor girl now that Jayne Mansfield and Natalie Wood have retired from the field.

The outspoken English lass sat at the table in the 20th Century Fox commissary and discussed her love life over a platter of marinated herring. Two of her nervous suitors, actors Henry Silva and Steve Boyd, listened painfully while she outlined the requirements she expects of a husband.

“He must be intelligent, understanding, seven years older than I am, and terribly attractive,” she started out.

“He has to be dominating without appearing to be and able to support me better than I can support myself.

Boyd looked at Silva, “Do we qualify?” he asked.

Silva, who appears in Joan’s new picture “The Bravados” with Boyd, shook his head disconsolately.

“I’m not so sure I’d want him to be an actor. They’re dreadful bores. Present company excluded,” she hastily amended.

“There are too many qualities about actors that I find annoying. They’re more interested in themselves than they are in a girl when they go out on dates.”

 “Why should I marry? What can a husband offer me apart from children. I like being independent and self-sufficient. I don’t want anyone telling me what to do, yet I wouldn’t marry a man who didn’t try to dominate me.”

Undaunted, Boyd asked, “What are you doing tonight.”

“Don’t call me,” Joan said, preparing to leave. “I’ll call you.”

During the filming of “Ben-Hur”, Boyd would talk about Joan Collins, and apparently hurt her feelings by describing their relationship as ‘just good friends.’

“But although today Boyd lives in a Hollywood bachelor apartment, he still likes to date a pretty girl. There was a time when people thought he’d hitch himself to Joan Collins. Snorts Boyd, “Just good friends and she’s an English shoulder to lean on. We’ve been pals since we did Island in the Sun. That’s all there is to it.”

The story was echoed by la Collins herself—except, she seems sorry to hear Boyd attached so little depth to the friendship. But it appears the actor makes friends easily with his co-stars and they remain that way after the picture is finished.”

The two actors would remain friends as they would appear several years later together in December of 1962, arm in arm, at the London premiere of “The Longest Day”. Collins appears in a lovely feminine pink dress with a long string of pearls necklace and Boyd in an elegant tuxedo. They make a very glamorous looking couple. Boyd had just finished filming “Imperial Venus” in Rome with Gina Lollobrigida, and he was just about to head off to Spain to begin filming “The Fall of the Roman Empire” with Sophia Loren.

Below are some pictures of Boyd with Joan Collins at “The Longest Day” premiere. Also view their arrival at the premiere on the YouTube video below.



Stephen Boyd Televised Biopics

As far as I know there have been two televised biopic’s about Stephen Boyd. The first one aired when Stephen was still alive in 1971. This was called “Stephen Boyd Portrait”, and featured interviews and film clips about Stephen and his career. “Ralph Nelson talks to Stephen Boyd about his acting career. Guest appearances are made by Elke Sommer, Tony Bennett, Ernest Borgnine, Camilla Sparv, Broderick Crawford and director William Wyler. Extracts inc. The Night Heaven Fell, Assignment K.”(The Age, Melbourne Australia, February 4, 1971)

This is another long lost item – but if anyone happens to have a copy, of course, please let me know! I would love to see this- it sounds  awesome.



The second biopic aired in 2011 called “Stephen Boyd: The Man Who Never Was”. It aired only in the UK, but luckily it has been posted on Daily Motion to view. Despite the somewhat irritating title, this is a good biopic. However, I regret to say, it contains very little as far as Stephen Boyd interviews. You see a few snippets here and there (Which I compiled for You Tube and they last 2 minutes). You would think if you had rare interviews to share,  you could just play the full interview! It also leaves out quite a bit of Stephen’s actual story and life. It focuses mostly on portraying Stephen as the good Irish son – but it neglects to mention even his first wife, Marisa Mell, Brigitte Bardot, Stephen’s worldly travels and even his interest in Scientology. We are left with a very limited look at the man himself. Nevertheless, it is a Stephen Boyd Biopic, so I shouldn’t complain. There are also some interesting stories told by his family and other actors about Stephen and Liz Mills, his last wife.  See for yourselves!


Stephen Boyd explains Brigitte Bardot and Ava Gardner appeal, 1958

“A bundle of curves” : Ava Gardner and Brigitte Bardot

French Sexpot Described by British Actor

By Lee Belser

Corsicana Daily Sun March 3, 1958

It isn’t necessary to be a sexpot to be a movie star, but it helps.

In the case of France’s Brigitte Bardot it is phenomenal and in the words of one of her recent co-stars “she is even Frenchier than the French.”

Stephen Boyd, a moody-looking Britisher is on location here with “The Bravados” company just finished a picture in Spain with the French sex kitten.

“She is terrific,” He said. “She knows just what she’s doing and where the money is coming from.”

Doubts Temperamental

Bardot, whose films are drawing American customers by the thousands, is reportedly one of the wealthiest gals in France and one of the most temperamental.

“I don’t really think she’s temperamental,” said Boyd, “She just does as she pleases and if she takes a notion to stop working for a few days the company waits until she decides to come back.”

This procedure would go over like a lead balloon in Hollywood, but Bardot’s French film bosses seem to thrive on it and financially the returns couldn’t be better.

Boyd explains her success in a few well chosen words:

“She gives adults that same feeling of sneaking cookies out of the cupboard that they had at the age of six.

“They giggle and try to explain their interest as pure amusement, but actually it’s their animal adolescence showing.”

Amazed at Cowboy Role

The tall, slender actor who is rather amazed to find himself, a Britisher, playing the role of a cowboy in an American movie, says there’s only one Hollywood actress who has the same type of glamour.

“And that’s Ava Gardner,” he declared. “She’s older but she had the same animal magnetism. It’s the sort of thing that the man in the street can’t resist. It’s a symbol of things that are not openly discussed.”

“Neither Gardner not Bardot would ever have to act,” he added. “All they have to do it appear and the impact would heat up an asbestos wall.”

Boyd, who is known to American audiences chiefly for his portrayal as “the man who never was,” is being hailed as the greatest screen find since James Mason, but he laughed and said:

“How can a mere hunk of man compete with a bundle of curves like Brigitte Bardot?”

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Stephen Boyd and Brigitte Bardot in the racy “The Night Heaven Fell” film from 1958

Stephen Boyd has Respect for Stars of Westerns while filming “The Fall of the Roman Empire”, 1963

HOLLYWOOD (AP) – Stephen Boyd writes from Madrid that his current role on “The Fall of the Roman Empire” has given him new respect for Western stars. Boyd is on horseback or chariot for most of the picture and says he is learning a new style of acting.

“It’s one thing to be able to act and another thing to ride a horse, ” says the rugged young actor. “But when you have to act on the back of a horse, this opens up an new field – horseback acting.”

“An actor can easily step into a close-up on the exact mark set by the cameraman but riding into a close-up or stopping the beast on the exact spot required is, no pun intended,  a horse of a different color”

Feb 17, 1963, Express and News, San Antonio



Stephen Boyd talks about his famous co- star Brigitte Bardot, 1958

Best of Hollywood

Joe Hyams, Philadelphia Inquirer, February 13, 1958

One of the world’s most envied men is here starring in ‘The Bravados,’ a film for 20th Century Fox. His name is Stephen Boyd. He is a handsome Irishman, but what sets him apart from other men is his last film, ‘The Night Heaven Fell,’ in which he was Brigitte Bardot’s leading man.

Boyd worked with Miss Bardot for 22 weeks last summer. As one might imagine, it was an interesting experience from start of finish. As an authority on Miss Bardot and a man who has seen her in the flesh, Boyd is a popular after-dinner conversationalist everywhere he goes.

Recently, he recalled for us the circumstances of his first meeting with Miss Bardot. “I went to her house in Paris with Roger Vadim, her about-to-be-ex-husband, and director of our film. Brigitte was in bed, nude. When we came into the room she jumped out of bed and kissed Vadim. Then she kissed me and said, ‘I know I’m going to enjoy working with you.’”

Since Boyd brought up the subject of Miss Bardot in her customary film wardrobe we asked if it was difficult playing a scene with her under such circumstances.

“No,” he said.

Was it disconcerting, we asked.

“No,” said Boyd, “it was just embarrassing, but enjoyable. In fact, I never enjoyed anything so much in my life. And to think I got paid for it.”

What do you think is the secret of Miss Bardot’s fascination, we asked.

“I think she has a higher percentage of animal in her than any other woman on the screen. When she moves it’s like a panther and she gives off an attractive sheen whether dressed or not.”

Is she intelligent?

“I think she is a bright girl, but she’s not a woman. I don’t think she has grown up yet. She is like a wild child. Her complete life has been movies and there’s no one in France who can control her or who dares say no to her. She had had her own way too long.”

Is she an easy actress to work with?

“You used the word ‘actress’, not me. I’m not sure I want to work with her again, but I’d sure like to see her again.”

Boyd said two versions of the film were made in French and Spanish and English and Spanish. The censors have already cut some of the love scenes and trimmed some dialogue.

Boyd said when he started the film he spoke no French. “When the picture was over, however, I used to quote from the script in French to my date,” he said. “It was quite a success.”

Stephen Boyd in Westerns Part 1: “The Bravados”, 1958

Is it rape or romance for Stephen Boyd and Kathleen Gallant in “The Bravados”? Twentieth Century Fox seemed to want it both ways, so they issued some press photos hinting at romance and other photos showing quite the opposite. The gorgeous color photo in the center could seemingly be a visual for the biblical definition of ‘Lust’!

When Stephen Boyd first arrived in Hollywood, his first project was a western called “The Bravados.”  The movie was filmed from January to April 1958, and it was released later that same year in the summer. The cast left for Morelia,  Mexico on January 27th of 1958, but before leaving, some of them (including Boyd) were given extensive horseback riding lessons at the Fat Jones Stables in North Hollywood. “Fat Jones Stables was the top supplier of horses and horse wranglers to the movies for 51 years.” (  Stephen Boyd had never been on a horse before, so Fox Studios was going to transform this young Irishman into a gun-toting, tough, horse-back riding outlaw. And they did a great job!

Stephen Boyd meets is his new equine partner for “The Bravados” at the Fat Jones Stables in North Hollywood. Boyd would soon be transformed by Hollywood into a horse-riding Western outlaw for his role in “The Bravados”.  It was a worthwhile investment for Stephen. He would also use his horse-riding skills in many future movies, including “Ben Hur” and “Fall of the Roman Empire”.

“Four very saddle-sore performers are Stephen Boyd, Ken Scott, Barry Coe and Kathleen Gallant, who’ll go to Mexico to appear with Gregory Peck in “The Bravados.” None of the quartet ever has done any riding to speak of before. All have been taking lessons. As a result, the entire group was allowed to receive their out-of-the-country shots in the arm instead of the usual place.” (The Evening Independent, Jan 27, 1958.)   Ken Scott, incidentally, would become one of Boyd’s best friends and golfing buddies. He appeared in two more of Boyd’s films – “Woman Obsessed” and later on “Fantastic Voyage.”

“The Bravados” Posters: capitalizing on Stephen Boyd’s ravishment of Kathleen Gallant in the movie

More adventures were to come on location in Mexico in the area of San Jose Purua, Morelia, Uruapan, and Guadalajara. The entire cast, except the Director, developed Montezuma’s Revenge. “Gregory Peck miraculously escaped serious injury or more when he rolled off his horse as the mount slipped and tumbled down an 80-foot cliff. Joan Collins got nipped by a scorpion. Stephen Boyd, the Irish Star, was kicked in the leg by his own steed and was rendered, you might say, horse de combat for a fortn’t. Kathleen Gallant, one time ‘Miss New Hampshire,’ making her film debut, was tossed by her own nag and landed unceremoniously on the hip pocket of her well-fitted jeans. Lee Van Cleef ripped a king sized gash in his shootin’ hand falling down another gully…” (Philadelphia Enquirer Apr 7 1958.)

Stephen Boyd would later mention that the “Bravados”, of all the movies he himself made, was his favorite. It is a remarkable performance, considering also the level of transformation Boyd undertook to become Zachary, the main villain of the film. The movie is based on a western novel by Frank O’Rourke and directed by veteran director Henry King (“The Song of Bernadette”). The excellent soundtrack by Alfred Newman (“The Robe”)  and Huge Friedhofer (“Woman Obsessed”) is both rousing and unsettling. The cinematography of the prolific Leon Shamroy (“Cleopatra”, “The King and I”, “The Egyptian” and “Planet of the Apes) is also outstanding with the Mexican scenery and blue-lit night scenes.

The movie takes the basic revenge plot of the novel but turns it into something even more interesting.  Gregory Peck portrays a tall, quiet, brooding man, Jim Douglas, who arrives in a quiet little town called Rio Arriba to watch four men hang. When he arrives he meets a former female acquaintance named Josefa, played by Joan Collins, who tries to rekindle their relationship with no luck. Douglas is hardened by the death of his wife, who was raped and killed by these men (or so he thinks) and who he has tracked to this town. When Peck meets the men in the jail, you finally get a look at the ‘bad boys’, and they truly emanate menace. Stephen Boyd plays Zach, the ringleader of a gang which consists of Parral, Lujan and Taylor, played respectively by Lee Van Cleef (“For a Few Dollars More”), Henry Silva (“Ocean’s Eleven”) and Albert Salmi (“The Unforgiven”). Boyd looks the part of an outlaw with a rugged, unshaven look, reddish hair, and a subtle Irish accent. 

Boyd, Silva, Van Cleef and Salmi

These four actors make the outlaws the highlight of this film. Parral (Van Cleef) is the half-breed who seems to worry about everything; Lujan (Silva) is the stoic, cunning Native American who is the only one to survive the wrath of Douglas; Taylor (Salmi) is the gambler; and Zach (Boyd) is the unspoken leader whose main weakness his rapacity for women. Stephen’s Zachary is a perfect precursor to Ben Hur’s Messala – he seems to radiate evil intentions from the start, with his blue eyes glittering lustfully when he asks the sheriff why he didn’t bring them ‘a woman’.  The prisoners make their desperate escape from the jail, but not before Zach nabs a female hostage Emma, played by Kathleen Gallant, for his own libidinous needs. The renegades immediately start to turn on one another as the townspeople and Douglas (Peck) are in hot pursuit.  Meanwhile, Zach plays a cat-and-mouse game with the kidnapped girl Emma, toying with the rope she is bound with suggested arousal and trying to get a moment alone with her. His plans keep getting interrupted.

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Boyd and Gallant: cat-and-mouse

There are even glimmers of the Sergio Leone spaghetti western “For a Few Dollars More” in this film as Gregory Peck keeps a photo of his wife and daughter in a gold pocket watch. Lee Van Cleef carries a similar, sentimental pocket watch in “For a Few Dollars” as he seeks revenge for his sister. The scene in which Douglas takes his revenge on Parral (Van Cleef) as he pleads his innocence is especially unsettling – it feels more like an execution than justice. Douglas catches up with Taylor next in the woods. The posse finds Taylor hanging upside down from a tree, dead, after Douglas has had his way with him. The sheriff’s early reproof of Douglas for suggesting using a tree instead of a gallows for the outlaws (“They came here to be hanged, not lynched”), echo back to the audience disconcertingly.

“The Bravados” and “A Few Dollars More” both use the sentimental pocket watch to great effect
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Peck gets the best of Lee Van Cleef in “The Bravados”

The best scene is towards the end of the film when Lujan, Zach, and Emma approach a small cabin looking for food and fresh horses. The cabin is owned by one of Jim Douglas’s neighbors, a miner named John Butler, played by Gene Evans. Ironically, as we shall see later, this is the man who actually killed Douglas’s wife and raped her – not Zach (Boyd).  Once inside, the renegades ransack the cabin and shoot the miner as he tries to run off with the gold he stole from the Douglas ranch. Zach is left inside with Emma alone and the inevitable, fateful climax occurs. The rape scene, which is filmed with brutal effect with no soundtrack music, happens very fast. Zach lunges across the cabin room as Emma tries to escape. With the entire back of her dress already ripped asunder, the helpless girl is roughly seized by Zach and their struggle continues inside. The cabin door slowly swings open with the actors out of sight, but we hear the sound of the girl’s guttural cries of anguish and Zach’s brutish growls. We don’t see what’s happening, but the effect is even more chilling.


All the while the serene Lujan waits patiently outside as he greedily hides the gold found on the dead miner. The two abscond from the scene as soon as Lujan sees what he thinks is the ‘posse’ approaching. It’s actually Josefa and the sheriff. Meanwhile, Douglas has broken off from the townspeople to seek his own personal vendetta, finding Zach in a small Mexican cantina across the border.  Once again, Douglas presents his gold pocket watch and the photo of his wife to Zach.  He goads the baffled Zach into a gunfight and kills him. Then, unrelenting, Douglas chases down Lujan to his family home. It is here where Douglas finally understands that he’s been chasing the wrong men this whole time. Lujan explains where he found the gold.  Peck plays this scene perfectly. Horrified and sickened by this revelation , he braces himself on the ground and clasps his hands together as he realizes just how far his revenge has taken him. He was about to kill both Lujan and possibly Lujan’s wife and child. Guilt-ridden, Douglas returns to Rio Arriba to find solace with Josefa and his own young daughter and the grateful townsfolk.

Boyd plays the role of Zach brilliantly in this film. After “The Bravados” was completed in late April of 1958, Boyd was notified that he had been awarded the coveted role of Messala in William Wyler’s “Ben-Hur” for MGM. He was on a plane to Rome to start filming this iconic biblical epic the next month. Next to Messala in “Ben-Hur”, “The Bravados” might be Boyd’s best villainous role. This would be Boyd’s first western, but certainly not his last. He would film an additional five westerns later in his career. More on those to come in future blogs. for more about The Bravados

The most memorable scene from “The Bravados” – the rape. Kathleen Gallant’s blouse, which cost about $1.25, “had to be specially sown so that it could be ripped off her back by Stephen Boyd when he roughs her up in the movie.  But 12 retakes were needed for the scene, so 12 specially sewn blouses had to be provided. Total cost for the blouses : $800.” (Pittsburgh Press, March 15, 1959)



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